Green Lanterns and the Disease of Rage

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“Shall sins go unpunished? Crimes justified into toleration? Victims, forgotten? This mad universe would say… yes. I disrespectfully disagree. Rage brings balance to the cosmos. Without the Red Lanterns, creation would crumble under our feet. The universe needs us.” — Atrocitus, Lord of the Red Lanterns

1,076 humans infected with rage. 2,338 humans infected with rage. 4,143 humans infected with rage. A contagion spreads across Earth in the newest incarnation of Green Lanterns, emanating from a tower designed to disperse a beacon of anger. It’s all part of an elaborate plot to transform Earth into a new homeworld for the Red Lanterns, and there’s seemingly no way to stop it. Rage begets rage, and the only people standing in this contagion’s way are two inexperienced Green Lanterns. Overwhelmed, all they can seem to do is watch in horror as their friends, family and loved ones succumb to the malevolent disease of hatred.

The arc, “Rage Planet,” is an exciting introduction to these new Lanterns, but what’s more interesting is the timing of this story. It’s 2016. An election year. We’re in a period of great unrest, as members of both the Republican and Democratic parties find themselves in a bind. Two less-than-desirable candidates have a presidential nomination, and more so than in years past, many voters are weighing the prospect of third-party candidates. This has led to a rift in the parties, with whole groups of people willing to sacrifice their traditional allegiances to make a stand. Understandably, social media has been fiery, with idealists and traditionalists writing sharp-tongued posts defending their positions or attacking those who won’t follow in step.

Certain candidates, to that end, have tapped into different nerve centers among voters. Donald Trump has amassed an army of faithful who feel disenfranchised by the system and alienated by a world different from the one they grew up with. At the other end of the spectrum, Bernie Sanders  has inspired a devoted following fed up with what they perceive as “business as usual” tactics by weak-willed representatives in Washington. The two are an interesting parallel, and in their own ways, have effectively empowered themselves through rage.

As we’ve seen amongst the “Bernie or Bust” crowd at the Democratic National Convention (DNC), the rage isn’t so easily silenced. The same can be said of Donald Trump’s ilk. Though the two have diametrically opposed goals, it’s the emotion they inspire that’s important here. As the election looms, it’s only grown stronger.

My Facebook feed is ever a breeding ground for rage. Those in step with the party line rage against the disenfranchised. The disenfranchised rage against those in step with the party line. News blogs and media outlets fuel the anger with polarizing headlines, soundbites and live feeds. After a while, it all blends together, and all one can do is balk at the scope of it all.

Credit where credit is due, there are those who engage in calm, respectful discussions, and they deserve praise. They’re playing the role of the healer, looking at their peers infected with rage and realizing that these, too, are still human. Whatever side of the fence they lie on politically, they’re still our brothers, sisters, fathers and mothers.

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Literary Orphans Issue 25: Chicago is OUT! (And so is my article in ‘The Weeklings’)

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Dear Orphans & Orphanettes,

On May 27, 2012, the first issue of Literary Orphans was published. Under the dedicated leadership of Mike Joyce, a digital magazine that valued art just as much as literature made its debut in the indie lit scene. There wasn’t much expectation for recognition or fanfare, but there was hope. Hope that Literary Orphans would grab someone, albeit for a few minutes, to read this fledgling, brand-new magazine slapped together by a few Chicagoland bums with high-minded ideals and a powerhouse team of some great writers.

The original Literary Orphans tribe consisted of fantastic works by Gary Anderson, Jeffrey S. Callico, Mikhial Carter, James Claffey, Joe Clifford, Joanna Delooze, Ryan Everett Felton, Cheryl Anne Gardner, Faith Gardner, Kyle Hemmings, Gill Hoffs, Jayme Joyce, Joel Kopplin, Veronica Marie Lewis-Shaw, John Maloof, Peter Marra, Neila Mezynski, Luca Penne, Claire Podulka and Emily Smith-Miller. With each issue, this tribe would grow, to an unincorporated patch of indie lit space, to a village, a town. These days, it’s akin to a bustling city, welcoming a new group of writers, poets and artists from all over the world every two months.

With each issue, Literary Orphans is doing its hardest to be that cultural melting pot, to be that brightly lit metropolis teeming with fresh faces and fresh ideas all working to build something truly greater than themselves. Though the journal is still a volunteer organization, it’s evolved a lot over these past 24 issues. We went from reviewing submissions via e-mail chains to a more user-friendly program called Submittable. We went from our original design to something sleeker, more modern and with mobile functionality. We went from one bi-monthly journal to a journal, a nonfiction blog and an archive for other digital magazines.

From one seed of an idea, a whole community has sprouted, connecting writers and artists all over the world with a unifying badge of honor. I, too, am an orphan.

Read the REST of the “Letter From The Editor” HERE, and check out the latest Literary Orphans issue HERE.


I have a debut piece over at The Weeklings, which you can read HERE. This one was months in the making, and I’m glad it’s finally out. I’ve received some pretty positive feedback, too, so there’s a bonus!Spider-Ham

Here’s a taste…

As much as I hate to admit it, the nightly parade of television pundits who hit us with damning statistics, straw-man arguments, and emotional human-interest stories, all in order to convince us America is in trouble, are right. This is a time of crisis. We do have to make America great again. But it’s gone well beyond Donald J. Trump and some stupid hat. We’re becoming a nation of adult children, of insipid man- and woman-babies struggling to do as little as we can to get by.

The signs are all around us. Ever overhear a coworker at the water cooler lament the choice between paying bills and buying the latest set of officially licensed Star WarsLegos? How about that old high school friend who brags about skipping work to eat canned pasta in his PJ’s while watching reruns of Star Trek: The Next Generation? Or that dopey sales associate who shows up to meetings wearing Poké Ball earrings and complains that no one takes her seriously?

My friend actually said this to me the other day: “Ugh. Don’t make me adult today! I just want to stay home and finish coloring this wicked sweet dragon!”

Adulting. It’s a word now, a contentious verb spit in the face of the hurricane of the day-to-day living. And we need to do our best to bring down the beast. Because if we don’t, if we let it slide, if we acknowledge adult coloring books as a form of “meditation,”…well, at least in a small way, we’re letting evil win.

 

Summer Updates

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I’ve had “I Love It” by Icona Pop stuck in my head for most of this week, which is a clear indicator that it’s summer. Why? Because it just sounds like summer. It sounds like the perfect party song, that recognizable tune you hear blasting at graduation parties when the smell of the backyard barbecue permeates the air. It breathes life, and summer events are the very essence of life. Coincidentally, “I Love It” is also a song that has been deeply embedded into the far reaches of my psyche because I dared to see that Kevin Costner 3 Days to Kill movie once.  In the film, the tune is used as a cell phone ringtone, so it plays often.

Editor’s Note: The above comments are in no way intended as an endorsement of 3 Days to Kill. The opinion of this writer is that said movie is “fun/bad,” the kind of movie you watch with a few buddies after a couple of beers. It won’t knock your socks off, but it might unintentionally make you laugh. 

Now that I’ve related my penchant for Icona Pop, it’s time for the latest updates.

  • I was interview in The Review Review.
  • I reviewed Keanu a moon or two ago on Drunk Monkeys.
  • A fiction piece of mine, “Following Orders,” was also featured on Drunk Monkeys.
  • Issue 24 of Literary Orphans, Audrey, also hit the interwebz. It’s in reference to the man-eating plant from Little Shop of Horrors, and you can read why this was chosen as our orphan in the Letter From The Editor.
  • A NONFICTION piece of mine will be featured on The Weeklings come July 7th! Woohoo!

Spring Updates!

DMAWith the impending nuptials coming up (in just over a week) and everything else I’m doing at the Literary Orphans fun factory, I haven’t had time to sit down and write for the personal site. That said, I do have a few fantastic updates to share, the biggest one being the Drunk Monkeys Anthology! My essay on Star Wars Episode IV: A New Hope is included in the anthology, which is available on Amazon in PRINT and EBOOK.

It’s truly a phenomenal honor to appear alongside such a wonderful line-up. Much respect and appreciation is owed to Matthew Guerruckey and the entire Drunk Monkeys staff. They’re wonderful, warm and friendly people, and I’m happy to call them both colleagues and friends. Whether we’re talking shop or racking our brains over comic books, it’s always a great time.

 

OTHER UPDATES

Holiday Updates!

It’s been busy over this holiday season. With the workload hitting me heavy, reviews needing writing, editing jobs to finish and finding time to scrounge up some creative writing of my own, I’ve been buried under many, many tasks. I haven’t had much time to catch up on the fun things I like doing… like writing at the personal site. Hopefully work will ease up enough to where I can get back to this regularly, but in the meantime, I have a couple of updates I’d like to share.

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The Brick Mason’s Sons

Several months back, a writer I greatly respect asked if I would write a blurb for his upcoming novel. To say I was honored was an understatement. I was floored. It was the first time anyone ever asked me to write a blurb. M-m-m-me?

I’ve since read the book, The Brick Mason’s Sons,  twice now (it’s really damn good), and I only hope my blurb does it justice. You can find it over at his website at BenSpencer.org or buy the book from Amazon and read the blurb from the back cover. I recommend the latter, as it’ll be a great addition to any personal library.

 

Literary Orphans Issue 22: Jane

The December issue of Literary Orphans is LIVE. It’s spectacular! One of the best we’ve ever done with stupendous and stunning artwork. It’s also the first time we’ve released a regular issue in December. Check it out!

Star Wars, Updates & General News


I saw SPECTRE with my brother over the weekend, and I thoroughly enjoyed myself. Before the film, however, the new trailer for Star Wars Episode VII: The Force Awakens played. It was one of those rare moments in a theater where I was overwhelmed with emotion. When that slowed down version of Han and Leia’s theme hummed as the Millenium Falcon weaved through Imperial debris, I’ll admit, my eyes watered. I looked over at my brother, and I could see it in his eyes, too.

There we were, two grown men in a matinee showing of a James Bond film, succumbing to a flood of imagery reminiscent of another time, so very long ago.

I never thought I’d see the Millenium Falcon (or its crew) on the big screen again. After the original Star Wars trilogy ran in theaters for the last time in the mid 90’s, I thought that was it. No more. Finito. Finished. Adventures with my childhood heroes would be relegated to the whims of my imagination at home. I’d have to carry on the tales alone with my action figures or pretend when reading a piece of glorified fan fiction. Harrison Ford, Mark Hamill, Carrie Fisher, Peter Mayhew and Billy Dee Williams were still around, but they had moved on to different things. Indefinitely.

But here they were again.

I know many people feel the same. The Internet is overflowing with reaction videos, blog posts and articles about this, and it all boils down to the same idea: our old friends are back.

They were a big part of our collective childhood. They were our heroes, teaching us the ways of the galaxy, the power of attitude and ability to reach out and overcome the impossible. These heroes were plucked from the richest well of imagination, and they were given to us to share visions of another way of experiencing the world around us. To put it simply, they brought us magic and the gift of perspective.


Chewie

 

I’ve been away for some time, learning the ropes of my new promotion as manager of my copy department (at the day job). I’m back now, bringing with me a wonderful discussion with the fine folks at Drunk Monkeys about Star Wars Episode III: Revenge of the Sith. I’m not a fan of the prequels, but I do my best to make amends, to find peace with this lackluster trilogy.

I have more in the pipeline, too. At the end of the month, a “writing tips” column will pop up at Drunk Monkeys. With any luck, some more short stories should start appearing on the Internet.