Ken Russell’s The Devils

My wife and I caught the recently restored, uncensored version of Ken Russell’s The Devils. I’ve heard so much about this film, about its truth-to-power, about its blasphemous imagery and willingness to confront an uncomfortable, but true story, head-on.

I caught ‘Ken Russell’s The Devils’ at my favorite theatre in the world.

It’s been a few days since seeing the film, and my thoughts have had time to settle. The Devils originally premiered in 1971, and the film was censored at home and abroad for its content. I can see why, and while it’s an uncomfortable watch, it is one of the most necessary and powerful films I may have ever seen. I don’t say that lightly.

Ken Russell’s The Devils is as much a film about a conspiratorial witch hunt to usurp power from a free city and consolidate it under Cardinal Richelieu in 1600s France as it is about the unholy union of church and state. It’s a film about using the fear of God as a cover for power. In a time when access to education was limited to the elites and plague festered, superstition and carnival-like hysteria undercut sanity and common sense. 

The Devils is not technically a horror film, but it very much is one in spirit. It’s unsettling, haunting, and terrifying, complete with complex characters. It’s one of the most powerful examples of moral decay I’ve seen on film, and the irony is that it’s a film about religion. 

In an era when book bans are increasingly common, when news is highly polarized and endlessly editorialized into bad-faith soundbites and “gotcha” moments, The Devils is more than an echo. It’s an ear-splitting siren. 

As much as it scares me, I take comfort in the fact that so many people are rushing to the theater to see it, that there are showings nationwide and a fervor to see a film that is as impactful today as it was in 1971. 

We will not go the way of Loudun or Father Grandier. We can and will overcome the devils currently wielding a double-sided sword of government and religion. We will endure, so long as we speak our truths, share our horrors, and educate each other. It’s on us to keep the institutions of art and learning alive. 

Keep creating. Keep learning. Keep sharing.

We’re all in this together,

Scott

Thoughts on ‘Superman’ (2025)

A few days ago, my wife and I had the chance to see the new Superman (2025) film. For those of you who know me well, comic books are in my blood. To say I’m deeply enmeshed in the genre, from penning reviews and recording podcasts for The Batman Universe to my current stint as reviewer of the Defenders of the Earth over at Chronicle Chamber, is appropriate.

Comics have been with me for as long as I could read. They saw me through good times, and they carried me through the rough moments. Characters like Batman, Spider-Man, The Phantom, and Superman inspired me to keep going. When I needed someone in my corner, they were there for me, helping me find my way through turbulent teen years into adulthood.

This is all to say that, as a fan, I have an emotional connection to many of these characters, and in moments when I’m down and out, I still look to them as fables and signals to step up and be my best.

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Cultured Vultures Guest Post: The Hustler (1961) & Drunk Monkeys: Poltergeist (2015)

Maybe I’m not such a high-class piece of property right now. And a 25% slice of something big is better than a 100% slice of nothing.

I have a special guest write-up at Cultured Vultures today. A while back, I rolled up my sleeves and welcomed the privilege to help with a movie review project the editors over at that pop culture oasis are working on. It’s a series of reviews based off the Top 250 films on IMDB. It’s a daunting construction, as the editors want to hit every film, but I’m grateful for the opportunity to lay a brick or two. I’m even more grateful they hosted my piece, as Cultured Vultures is such a fun zine!

At any rate, enough of my prattling. Here’s The Hustler.

 


 

For those of you who haven’t been following me on Drunk Monkeys…

(Image © 20th Century Fox)

(Image © 20th Century Fox)

…I’ve got a POLTERGEIST review ready for your perusal.

Star Wars Episode IV: A New Hope

DMStarWars

“If the real world is a crisis of confidence and limitless possibility, Star Wars is the cure. It always has been. Since 1977, this film has been rousing the human soul from its slumber and demanding that it snuff out the silent acquiescence of fear. Because fear is the mind-killer. Because fear is the manifestation of evil.”

My Star Wars write-up is LIVE over at Drunk Monkeys today. This was one of my favorite film essays to write, and it was also one that took me forever. I wrote several different drafts before deleting them all and trying again, eventually consolidating all of my thoughts into this hopelessly optimistic reading of one of the greatest films ever made. Please read it. Please share it. Please enjoy.

 

UPDATE: The discussion around Star Wars Episode IV: A New Hope is now LIVE as well. In it, a few of us have an in-depth conversation about the film, its lasting impact, and key memories we took away. Check it out HERE.