Ken Russell’s The Devils

My wife and I caught the recently restored, uncensored version of Ken Russell’s The Devils. I’ve heard so much about this film, about its truth-to-power, about its blasphemous imagery and willingness to confront an uncomfortable, but true story, head-on.

I caught ‘Ken Russell’s The Devils’ at my favorite theatre in the world.

It’s been a few days since seeing the film, and my thoughts have had time to settle. The Devils originally premiered in 1971, and the film was censored at home and abroad for its content. I can see why, and while it’s an uncomfortable watch, it is one of the most necessary and powerful films I may have ever seen. I don’t say that lightly.

Ken Russell’s The Devils is as much a film about a conspiratorial witch hunt to usurp power from a free city and consolidate it under Cardinal Richelieu in 1600s France as it is about the unholy union of church and state. It’s a film about using the fear of God as a cover for power. In a time when access to education was limited to the elites and plague festered, superstition and carnival-like hysteria undercut sanity and common sense. 

The Devils is not technically a horror film, but it very much is one in spirit. It’s unsettling, haunting, and terrifying, complete with complex characters. It’s one of the most powerful examples of moral decay I’ve seen on film, and the irony is that it’s a film about religion. 

In an era when book bans are increasingly common, when news is highly polarized and endlessly editorialized into bad-faith soundbites and “gotcha” moments, The Devils is more than an echo. It’s an ear-splitting siren. 

As much as it scares me, I take comfort in the fact that so many people are rushing to the theater to see it, that there are showings nationwide and a fervor to see a film that is as impactful today as it was in 1971. 

We will not go the way of Loudun or Father Grandier. We can and will overcome the devils currently wielding a double-sided sword of government and religion. We will endure, so long as we speak our truths, share our horrors, and educate each other. It’s on us to keep the institutions of art and learning alive. 

Keep creating. Keep learning. Keep sharing.

We’re all in this together,

Scott

Staying Motivated in a World That’s Increasingly Dangerous

It’s nearing the end of August. Work has been a roller coaster ride of new clients, a shifting marketing landscape, and economic turbulence. The world around me has rapidly changed in the last 7 months, and at every turn, small minds with despotic dreams subjugate the rest of us to their angry, bigoted outlook.

National Guard patrol Washington DC, with the looming threat of Chicago next. My home city. The city of my parents and grandparents, and the refuge of their immigrant forebearers.

Continue reading →

5 Movies That Get My Creative Juices Flowing

Some movies make us dream. They may not be the greatest films ever made, but they spark something beautiful within us. These films make us write or draw, paint or build. I’ve written about five movies that get my creative juices flowing without fail. Let me know some of yours in the comments below.



5. Jason and the Argonauts (1963)

Jason and the Argonauts was one of those grand adventure films I was introduced to at an early age. The thundering soundtrack by Bernard Hermann, the creature designs from Ray Harryhausen, and the globe-trotting scope of Jason’s adventure had, and still does, have such an impact for me.

Though the plot is straightforward, the world Jason and his crew inhabit captures Greek mythology in a way that feels believably ancient and full of magic. It’s lived-in and populated by wild, mythical monsters that, under the skills of Harryhausen, feel so real. I’m not talking about the stop-motion animation, so much as the movements of the creatures. Harryhausen had a way of infusing personality into his monsters, which in turn made them feel all the more realistic, and, oddly enough, human-like.

As a work of art, Jason and the Argonauts takes a classic epic and retells it with passion, bombastic music, and limitless imagination. The scope of its odyssey inspires a sense of wonder that, as a kid, pushed me to take my creativity and run with it.

Continue reading →

Just Another Breakfast Sandwich Recipe

There’s an old German bakery down in the Lakeview neighborhood in Chicago that my wife and I love to go to. They’ve got great cookies and pretzels, but there’s this breakfast sandwich they make that is incredible. It’s delicious. It’s addictive, and the flavors are perfect. If you’ve ever seen that Birds of Prey movie, biting into a Dinkel’s Bavarian Breakfast Sandwich is an experience akin to what Harley Quinn was raving about.

Unfortunately for my wife and I, we don’t live anywhere near Lakeview. Thus, the Bavarian Breakfast Sandwich is a once-in-a-while treat, when we have the time and energy to make the trek from Gilberts (yeah, it’s a real place way out in the ‘burbs) into the city. And on those days when we do manage to fit a visit to Dinkel’s in our weekend schedule, we sit there right outside, in the car, savoring every damn bite. 

Continue reading →

Motivation

motivation

When I write, I write for me. I write for fun. I write for entertainment and peace of mind. It’s satisfying, and the act of writing helps keep me sane.

But writing for an audience of one isn’t good enough. It’s selfish, and it isn’t the motivator I need to keep at it consistently, instead of writing when I “have the time” or “just for fun.” Simply put, if I stay the course, I’ll never go anywhere with it.

This hit me today while driving to work. The theme song to that movie Ben shuffled onto my iPod—a very young Michael Jackson’s voice stirring something deep within my soul. I watched that movie only once, in fifth grade, because our teacher put it on. I don’t remember why. I just remember it was about some lonely child befriending Ben, the leader of an army of rats on the advance into town. Their friendship was one of those relationships doomed from the start, as they came from two worlds at odds with each other. Ben’s rats killed humans. Humans killed Ben’s rats. Even though forces were at work to tear them apart, Ben and the boy’s friendship endured.

The movie is probably terrible now that I’m older,  but it’s the sentiment that counts. The memory. I’m reminded of it whenever that song shuffles on. And every time, I think of my loved ones.

I’ll be married in two months to an amazing woman. Eventually, the two of us will have a family of our own. So who am I writing for?

I can’t keep writing for me.

The ability to write is a gift. It’s a craft we, as “writers,” chip away at. Some of us are more obsessive about it than others, and the more we hone the skill, the better we become. It’s our special tool, and it’s completely wasted when exclusively used for the self. The one. The individual.

I want to use it to better my family.

I want to write, so I can use my tool, my gift, to put food on the table. I want to take this gift and give my family the best possible future. The idea that this is greater than myself makes it harder for pen to leave paper. The thought of providing, of using this talent for the benefit of my loved ones, inspires something more important than leisure. It inspires duty. Necessity. Devotion.

Writers often say one can’t go into writing for the money. I agree. It’s a very risky business. The odds of profitability are stacked against the individual, and more often than not, we may be left writing things that don’t interest us even when we succeed.

But very few enjoy the tedious monotony of work, so why not spin the barrel of the gun and play Russian roulette with our gifts anyway? We can take the chance. The more devoted we are, the better our odds will be. With devotion, dedication and drive, we’re betting on the house, our house, to win.
//platform.linkedin.com/in.js