I Wrote a Letter to Senator Patrick Leahy

BatmanDeathofInnocentsInstead of finishing the story I wanted to complete and ship off this week, I spent the last two hours writing a letter to Senator Patrick Leahy about Batman and gun violence. If you’re wondering why I chose this senator and why, on earth, did I bring Batman into this, I highly recommend you read about Batman: Death of Innocents, which was used to help pass a ban on the export of anti-personnel mines in 1992.

Without further delay, here’s the letter.


Dear Senator Patrick Leahy,

I am not a resident of Vermont, but I have come to learn of your achievements and incredible service to civil liberties and humanitarian causes through a mutual friend we have in common. I won’t lie. This mutual friend is fictional and has pointy ears.  

For a few months now, I have wanted to thank you for the beautiful foreword you wrote at the beginning of Detective Comics: 80 Years of Batman. It was absolutely inspiring and touching, and I must admit that it brought a tear to my eye. To see how the power of a childhood hero has helped guide someone into doing good works for the benefit of all is very personal to me, as I too feel the call to help manifest this altruism in the world. 

One particular issue you touched upon in your foreword, however, was your involvement with Batman: Death of Innocents. It was a wonderful method of bridging the gap between the ideals we dream about in comics and affecting real-world change. Having this special issue placed on every senator’s desk ahead of a vote on your ban on the export of anti-personnel landmines was an amazing tactic, and I am thankful that you were able to create policy using one of our most iconic heroes. 

There is a request I would like to ask of you, one that once again asks you to don your own cape and cowl to bring about real-world change. 

I was in middle school when the Columbine shooting happened. At the time, this tragedy seemed like a horrific freak occurrence that we, as a nation, would stamp out and prevent from ever happening again. Much to our misfortune, this ultimately didn’t come to pass, and mass shootings have become increasingly commonplace in recent years. It breaks my heart to say that I know people personally who have been permanently affected by these tragedies. 

Whenever legislation gets introduced to help curb the rising tide of these mortifying episodes of gun violence, these bills get squashed, shut down, and locked away. Our collective trauma, as a nation, grows as more mass shootings take place, and we are left weeping for the ones we lost, week-to-week, day-to-day. 

Senator Leahy, I consider myself an optimist on any normal day, but these are not normal days. I must confess that my optimism wanes each time a bill gets reintroduced, and I feel that there are insurmountable forces at work that prevent hardworking senators, like yourself, from getting the work done that needs to get done. 

As a lifelong Batman fan, you know as well as I do that the Caped Crusader’s war on crime hits closest to home when it comes to gun violence. We all know the stories of how gun violence took his family away, and we have seen panel after panel of Batman disassembling and destroying these weapons of destruction. His war on gun violence means removing weapons of war from the streets at all costs. 

With Batman’s war intersecting with our own war against gun violence, is there a way we can bring one of our most celebrated national heroes to the forefront of this debate? With your connections and past work with the creative people at DC Comics, can we somehow use Batman as a figurehead for championing the battle against gun violence? 

I ask you as an admirer, as a fellow lifelong comic fan, and as a concerned and mortified citizen, how can we manifest the ideals we dream about in comic books page into real-world policy changes?

Thank you for taking the time to read this letter.

Sincerely,
Scott Waldyn

 

P.S. In your foreword to Detective Comics: 80 Years of Batman, you wrote, “Children may not always listen to other grown-ups, but they will always listen to Batman.”

There are many members of Congress who often relate President Trump’s comments and Twitter outbursts to that of a child’s. Of all the reasons to summon The Dark Knight into this debate, perhaps this is the most important.

Final issue of Literary Orphans (And Where I’m Going From Here)

DominoIt’s been an insanely long time since I last wrote on the blog (over a year). Since then, I’ve been winding down from duties at Literary Orphans. My last issue as editor in chief came out at the end of January. You can read my farewell “Letter From the Editor” here.

In the last year, I reached critical mass. Life outside of writing and Literary Orphans had grown incredibly busy. Work in the digital marketing realm was picking up, demanding more of my creativity and time. I was offered more freelance writing/editing gigs (boring contracts… but still.. MONEY). My wife, Deanna, started her Master’s program, which meant that she would be spending much less time at home and more time at school,  while juggling her full-time job and an internship. Everyday errands we used to split down the middle became mine to maintain.

On top of these life changes, I spent about 10-15 hours per week working on Literary Orphans. I loved the journal, but there was increasingly less time to step away and relax or work on my own projects.

I’m sure every writer, poet, artist, or any other type of creator out there will echo the sentiment that part of the drive to create is a sense of fulfillment at having birthed something out into the world, at the journey of creating from nothing. This is a sentiment I also share, and with all of these extra tasks added to my plate, I found myself putting off my personal writing time and again.

The robot book? I’d edit part of a chapter once a month. That short story I wanted to write? I’d write a couple of paragraphs every few weeks. My many tasks gave me excuses to put off working on the things that, like glue, held me together.

I love Literary Orphans to my core. It’s introduced me to so many wonderful writers and artists, and reading submissions taught me so much about the world and what people are going through. At the same time, it was also the most sensible task on my regular to-do list to cut.

It was not easy, and I mulled over the decision to step down from Literary Orphans for a couple of months before I finally pulled the trigger. I will miss reading weekly batches of submissions and emailing back and forth with the writing community, but stepping down allowed me to reorganize and restructure my life.

Since stepping down, I’ve completed a handful of short stories I am currently shopping around for a (hopeful) publication. I’ve also dug back into that robot book and started editing it again. We often forget that when we step away from a project for a while, the project stays the same, but we, as humans, grow. When we come back, we aren’t who we are when we left, and we find so much more we want to say/change/edit.

I don’t know what’s going to happen in the next couple of months. Right now, I’m taking it slow and hoping for the best. I know I want to play exclusively within the realms of scifi and horror. I also know that my end goal, perhaps years from now, is to write Batman for DC Comics.

Saying that last line so plainly sounds silly, but I mean every word. I want to wear the mantle and do for the next generation what my heroes have done for me.

Until next time…

We’re all in this together,

Scott

Wild at Heart is Dishonest, so is my Writing

My wife and I watched Wild at Heart recently on a recommendation from my past self. I remembered liking this film so many years ago, when I had first discovered the world of David Lynch. It was weird, surreal, and sardonic. A ride that pleased me but for which I had little recollection of.

On rewatch, however, this was not my experience, and I was a little embarrassed at having talked up this film to my wife. Wild at Heart is all over the place tonally. It zigzags from scene to scene, scatter-brained and without purpose. Many of the ideas in Wild at Heart are perfected in later Lynchian works, but in this package, they’re lost and half-formed.

The end of the film is supposed to tie an idea together, but it feels tacked on and cheap. This wasn’t the whimsical, Lynchian romp with Wizard of Oz themes I vaguely remembered. It was dishonest trash.

When I opened the draft of my robot novel the next day, I was taken aback at how unenthusiastic I was for my project. This wasn’t the whimsical science fiction romp with real-world themes I remembered. It read like drivel. The plot meandered. Certain scenes felt hokey and old-timey in a silent film slapstick sort of way. Sure, there were moments of brilliance, but these moments were rare.

Like Wild at Heart, my work-in-progress felt like cutting room floor tidbids I Frankensteined together. It was dishonest, and I couldn’t find myself staring back at me from the computer screen. I was a little embarrassed. This is what I had been spending so much time on?

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A Year With Cinema: Tracking My Favorite Time Vampire

A little over a year ago, I decided that the best way to wean myself off of buying movies was to list them. It was a perfect way to feed that need to habitually collect without doling out cash for things that would otherwise sit on a shelf and gather dust.

Physical media is archaic, I know, but when you grow up dreaming about a Rex Harrison-sized library, you can’t help it. 

Rex Harrison-Sized Library

It’s even more glorious than this picture lets on

I started a list on April 29, 2017. The rules were simple. I’d add every movie I actively watched 30 minutes or more of into the list, note the year it came out, and go on my way. Unlike my personal writing, I was actually regimented and consistent with updating this movie list, too.

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2017 in Retrospect: My Top 5 Theater Experiences

A theater, a good theater, has just an attractive enough marquee to draw us in, and its atmosphere is both rich in character and antiquated. Like any palace, there’s a regality that keeps us alert, so when the lights dim and the show overwhelms us, we’re awake for every second of the ride. The experience is intimate and overpowering, a rush of emotions drowning connecting us while a simultaneous veil of darkness isolates us from the rest of the audience.

It’s a distinct experience you can’t get at home (and not just because the screen is larger). Theaters have a carefully blended aroma of spilled soda, popcorn, and candy. The seats are slightly less comfortable, and you dare not lounge too freely in fear that you might catch the plague from whoever sat in that chair before you. And the sound!

For my 2017 yearly wrap-up, I decided to list my top 5 theater experiences. These are the ones that moved me.

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What I’ve Been Spending So Much Time On: Rocket & H.I. 97 Destroy Everyone

For months now, I’ve been slowly writing another book. The working title is “Rocket & H.I. 97 Destroy Everyone”, and it’s meant to be as kitschy and weird as it sounds. My aim is to create something expansive and unique that people can have fun with. I love science fiction. I love its unique ideas, its bizarre flights of fantasy, and the pulpy, dime-store novel nature that’s been associated with the genre. Science fiction is freeing. You can go places without having to worry about being grounded, and if you’re lucky, other people will want to tag along.

With this latest project, I’ve been writing by hand once again, so the process has been long and meditative. I really like writing by hand. It forces the brain to slow down and adjust to the physical, mechanical nature of writing, making my brain hang on every idea, plot device, or character description. Frequently I’ll plan out part of the narrative weeks in advance, and when my hand finally reaches that point, it’s not what was originally envisioned weeks before. The structure’s changed. It’s embedded itself deeper in this world.

I’ve talked about my obsession with robots previously. Since that time, I’ve put together a completed draft of the book and have enclosed just a taste below. Fair warning, this “taste” is still a work-in-progress pulled from a second draft. It may not reflect the finished product at all.

Having said that, I hope you enjoy it, and I welcome any comments you may have.

 


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Finding Time to Write

It’s become a regular habit of mine to write on my lunch break at the day job. Almost every weekday (aside from Wednesdays because that’s new comic book day), I take my hour in one of the empty conference rooms at the office and put pen to paper. I write until my fingers hurt.  I write until the big clock on the wall tells me it’s 1:59 pm.  I write until my brain’s burnt out from the adrenaline rush of cramming creativity into a one-hour block during the day when I’m not managing an email marketing campaign, polishing off some freelance project, making dinner, spending time with the wife, going through submissions for Literary Orphans, putting together the next issue of Literary Orphans, preparing lunch for tomorrow, or running an errand to keep the homestead in order.

Big exhale.

No one says being an adult is easy, and I’m not complaining that it isn’t. If anything, trying to build a career and a family, all while holding on to that dream of writing for an audience of more than one, has taught me some much-needed respect. When I go into one of those empty conference rooms each day for my lunch break, I don’t go in alone. There are a handful of others I occupy a creative space with. These others include aspiring authors and writers, all of whom are looking to breathe life into something creative and wholly their own during the humdrum of 9-to-5 living. They’re my support group, and together, we charge each other to find that creative spirit within ourselves.

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New Book: Little Warrior Brother by Gabe Keith

One of the secret projects I’ve been involved with over the past year has been helping a good friend and a fellow writer complete his dream project. We’ve been through multiple drafts together, with me serving in an editorial capacity, providing what insight I can in order to help bring my friend’s military memoir to life. Today, I’m overjoyed to announce that Little Warrior Brother by Gabe Keith has finally been released to the public.

I still remember the first day Gabe told me about his project and about all of the ideas and things he wanted to talk about. It seemed like so long ago, and at the time, the project felt insurmountably huge! If you told me then that just over a year later, his book would be published and ready for readers, I wouldn’t have believed it. But Gabe’s dedication, determination, and enthusiasm energized him to work tirelessly, and before I knew it, drafts were already flooding my inbox.

Little Warrior Brother is nothing short of a passion project with high-minded ideals to convey the emotion, struggle, and drive of our armed servicemen and women all across the globe. It’s a book that strips itself of politics and lays the 2003 US-led invasion of Iraq bare. Beautifully written, Little Warrior Brother will make you laugh, cry, and understand something outside of the civilian perspective.

You can find Little Warrior Brother in print and eBook at Amazon. Please consider liking and following Gabe Keith and his journey in bringing to life his military memoir from his time in Iraq on Facebook.


Little Warrior Brother by Gabe KeithSynopsis: Two young men fight two wars, decades apart – one in Iraq, his uncle in Vietnam. Following the nephew’s return, they visit their parallel stories, exploring the realities of war, the passing of childhood, and the soul of a soldier on the road to moving on.

 

Find out more about the author and his adventures in bringing this book to light at his personal website — GabeWKeith.com.

How to Start Collecting Movies: The Clutter-Free Method

If you’ve ever stepped into my living room, there’s one thing that you’ll notice right off the bat. I own a lot of movies. DVDs, Blurays, a few rare VHS films that have yet to get a proper transfer — I’ve got them in all styles and formats. These videos are mostly alphabetized, save for the television shows (which are strewn about a private media tower in the corner of the living room), and my collection has everything from terrible guilty pleasures to Criterion Collection masterpieces. It’s a buffet of personal tastes and historically important works, and the collection rarely decreases in size, which becomes a problem after a quarter century of collecting. It’s also an expensive habit, especially when you’re constantly upgrading your personal library to reflect the most recent digital transfers and restorations. Yet, it wasn’t until about a month ago, that I decided that there had to be a cheaper, better way to collect films. For those looking for a clutter-free method on how to start collecting movies, I found an answer that works for myself, and it costs almost nothing. 

How To Start Collecting Movies

My wife and I were having a discussion a while back about how many times we had seen some of our favorite movies. Though I’m prone to estimating in the hundreds and even thousands (I talk big), I had to confess that even with my absolute favorite movies, I probably only watched them maybe once or twice a year. It wasn’t enough viewings to get tired of these films, but it wasn’t too infrequent to where favorite scenes would start to fade from memory. In reality, at a rate of once or twice a year, I couldn’t have seen my favorite films hundreds or thousands of times. If I was lucky, I had seen them dozens of times, just enough to keep ’em fresh, and it was a convenience to have them lying around on a shelf somewhere, waiting for that once or twice a year visit.

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The Nature of Adaptation: Form v. Content

Hulu added the second season of Fargo to instant streaming recently, and my wife and I devoured it this past weekend. One episode in, and we were hooked. Fargo is an even blend of style, mystery, action, and dark Midwestern humor. It’s a show that uses style, editing, and composition to fully submerge its audience into the emotions of the sequence, rather than hanging its hat on a melodramatic narrative structure.

When we finished, I felt the need to immediately blurt out, “This is one of the best comic book adaptations I’ve ever seen.” This sounded silly and confusing in that Fargo isn’t adapted from a comic book. It carries the name of a popular Coen Brothers movie and crafts crime stories in the style and tone of the film. There were no comic books to be found on the set of the film, and none of the iconic characters from the world of comics even graced the background.

But that’s what makes this adaptation interesting. While Marvel and DC continue to make films using their popular licensed characters, the second season of Fargo is more of a comic book adaptation than either of the “cinematic universes” that the aforementioned companies are dumping into movie theaters.

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